Blog, Writing

The art of working hard

Our culture seems to have an aversion to working hard. Everywhere I turn, there’s a clamor for instant gratification. Forget sweating, forget busting our behinds. We have a dream. We have a vision. This is what we’re MEANT to do. But we don’t want to wait. We don’t want to do the dirty work. We don’t want to put in our time and effort to get there. We want it, and we want it NOW. And we want it easily.

Reminds me of a toddler cranking up towards a massive meltdown.

The thing is, the only way to get to that dream, for it to really mean something, is by working hard. By paying our dues. I was talking with a friend and former colleague, author Christine Kling, many moons ago about writing, and she said something like this: to get close to having something ready to publish, you have a million-word internship. In fact, she wrote this post about The Million Word Rule. And I believe it because, as clichéd as the saying is, it’s true that practice makes perfect (or better yet, practice makes better.)

Sometimes, I’ll hear well-meaning friends say, “Hurry up and write it!” Or family will want me to finish, but don’t understand the time I take away from them. But if I don’t sit on my behind and write, if I don’t spend the time to develop the characters and the world, to run through the steps that it takes to start and finish a draft, and then to revise it (over and over and over again) until it’s ready to send out, it won’t happen. I’ll have a half-finished story, a draft full of possibilities that’ll simply evaporate because I didn’t put in the time and effort. A book’s not going to write itself.

And on the same note, a first draft will NEVER be good enough. It can ALWAYS be better. It’s not called a shit-draft for nothing! I drill this into my students: the importance of writing multiple draft, of reading and re-reading and revising to polish their work. I take this to heart, and it’s what’s allowed me to silence my inner editor temporarily while I get the story down into that first, exploratory draft. But again, this is work. It takes time, dedication, patience, and endurance.

I haven’t reached my dream yet of being published, of sharing my writing with the world. I also don’t have an agent…yet. But I’ve seen how much I’ve grown in the past five years since I started taking writing seriously, as a career. Every class I take, every workshop and conference I attend, every critique I receive and every story I write puts me that much closer to reaching my goals. That’s what I have to do. If I want this with every cell of myself, then there’s no other option but to keep on writing, keep on trying, keep on paying my dues so that eventually, it will happen. And when it does, the prize will feel that much sweeter because I reached it with my own effort.

i-did-my-waiting-gif

Sure, there are days where it’s harder than others, days where the inner doubt creeps in and tries to take over. But that negativity is just an excuse. It’s a way of trying to take the easy way out, which I guess we’re programmed to want. So stuff a pillow in doubt’s mouth and keep going–the only way to reach that dream is by persevering! You can do it. And when you think about quitting because it’s just too hard, remember this:

“There’s only one thing that can guarantee our failure, and that’s if we quit.” – Unknown

And these:

“A professional writer is an amateur who didn’t quit.” – Richard Bach

“It’s when things get rough and you don’t quit that success comes.” – Unknown Quote

“Most people give up just when they’re about to achieve success. They quit on the one yard line. They give up at the last minute of the game, one foot from a winning touchdown.” – Ross Perot

Keep going, keep writing (or keep doing whatever it is you need to do to succeed)!

Blog, Writing

Patience

Patience /ˈpāSHəns/ Noun. “The capacity to accept or tolerate delay, trouble, or suffering without getting angry or upset.”

Yeah. That.

I knew this business of querying would involve loads of patience. I wondered if I’d have what it takes to sit tight and wait.

And wait.

And keep waiting.

I thought I would be one of those people obsessively hitting refresh and over-analyzing everything. And okay, so sometimes I do slip into that mode. But I’ve been so proud of myself for patiently holding on and waiting. Without complaining. Without freaking out. Without biting my nails. I have a full out and a few unanswered queries, and I haven’t lost my wits!

The key? Keeping busy, I guess. I’m hard at work in THROUGH THE WALLED CITY. I’m enjoying being submerged into this world, with these characters. I was also swamped with closing out the semester. And I have my UCLA class work, and the beta reading I’m doing. And I’ll be prepping for the SCBWI Mid-Year Conference soon. So I’m making myself remain occupied so my mind doesn’t go down that other road, the obsessive one.

Today I’m sending out a couple more queries, and there will be more waiting. But it’s okay. I will be patient because that’s the only option!

Blog, Writing

Blogging hiatus over

The semester has ended, grades were turned in, and I’m now officially, 100% off for the summer. For the first time since…well, since I began working! I mean, sure, I’ve had the last couple summers “off,” but I always taught extra online. I never had a clean break. This summer, I do.

And after the grading marathon (which I’m beginning to think will be a great prep for writing deadlines down the road…), I feel something like this:

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I’m still recovering.

But it’s good to be off. In the three days I’ve been off, I’ve worked on the UCLA class I’m taking, I’ve revised 1 chapter in WIP, met with my writing group to read said chapter, written a little and plotted the next few chapters, and spent the afternoons with my son, going to the park and enjoying the sun.

Have I mentioned that it’s good to be off?

More than anything, I’m looking forward to finally kicking this flare-up buh-bye. It’s been a challenging seven months, health-wise, and I want to put that behind me. I need a break.

Now off to write some more! Happy writing!

Writing

Writing Spaces

Last week, one of my critique partners and I were discussing our writing habits. I like to write with music on, set to a playlist for that specific project. I have earphones on to drown out all other noise, and I plunge in, letting the music carry me back into my world. I also prefer writing on a table, where I can rest my arms more comfortably. Because my inflammatory arthritis affects my fingers and wrists more than other joints, a good table is a must (though when push comes to shove, I can really write anywhere–I’ve been known to lug my laptop around and work anywhere, including my doctor’s office)! I can write alone in my house or in a cafe full of people–it doesn’t matter as long as I have my music, earphones, and laptop. She, on the other hand, can’t write to music, prefers writing in a big, comfy chair where she can curl up with her laptop and type. She has to work in a public place, like a cafe, where the mere fact of having to drown out noise helps her focus.

Isn’t it amazing how we approach the same creative process in so many different ways?

By the way, if you love peeking at where authors do their writing, you need to check out Meagan Spooner’s In Search of the Write Space series on her blog. In it, she features authors and their work spaces!

Writing

The magic of writing

I swear sometimes I think I sound like the corniest person alive when I say I love the magic of writing. The giddiness when the words start coming together to form a story. The excitement of discovery as I let these new set of characters take me by the hand and show me their world. I live for the moment when I can sit my behind in a chair and dive into this world I’m creating–all so I can experience the magic of weaving together a colorful tapestry, one that I couldn’t imagine my life without.

So yeah, writing is magic for me. And I hope the sense wonder never goes away.

Writing

Revisions are a beast

Really, they are. But they’re a beast I love.

I’m 3.5 chapters away from finishing the bulk of these revisions for SOUL MOUNTAIN. They started simple enough–changing one of the POVs from 3rd to 1st person. And then my UCLA class happened and I reached a moment in my process where I just didn’t know which way was up. I put it on hold, worked on THROUGH THE WALLED CITY, and just kept brainstorming. Because something wasn’t working. I knew it, I just couldn’t put my finger on it.

After much soul-searching and agonizing and tears (oh yeah, there was some of that), I had a glorious moment of clarity: I needed to rewrite this book. About 70% is new material. Other parts have been shifted. Characters strengthened, redefined. The ending is completely new. Most importantly, I worked on making sure the reader connects with the characters emotionally. I knew I was on the right track, when my instructor’s feedback went something along the lines of, You nailed it! (I imagine Haymitch from The Hunger Games saying it, like “Now that’s what I’m talking about, Sweetheart!) Talk about feeling the breakthrough! With the help of a newly redesigned book map and outline, I was well under way.

But let me tell you. It’s very, very scary, to look at your 65,000-word manuscript and open up a new, blank document, and say, we’re having a do-over. Holy crap it’s scary.

But I did it. I’m less than 4 chapters away from the end. It’s been a fascinating process, slow and steady, full of layers. Every day that I work on it, it goes something like this: read and revise previous chapter, then write new chapter. It’s a write/revise, write/revise pattern. And it works. Sometimes, I go back two chapters or three before I write the new one. But I’m moving forward and I’m excited about the end product.

And each new chapter I take to my critique group, who’ve been fabulous and awesome in their feedback and support.

The true test will be once I submit this revision.

So here’s something else I learned during this part of the process. My layers work (roughly) as such:

  1. Action/dialogue: I start writing a scene as I see and hear it happen. I know what’s going on, who says what, etc.
  2. Add emotional depth: After the first layer, most likely on a different day or after I’ve let some time pass (today it was a few hours), I add what the character is thinking/feeling. How what’s happening and what’s being said affects him/her. What’s at stake.
  3. Pretty up the words: Once I feel better about the action/reaction at play, I look at the language. I revise for my tics (too many coordinating conjunctions, for example). I make sure I’m doing mostly showing. I read aloud for the “flow” and the “rhythm” of the words on the page.

And then I move on to the next scene/chapter. I also update my book map/outline. Where I catch inconsistencies, or if I notice I’ve forgotten a thread, I make a note of it on the outline. Once I reach the new end (with the above layers), I’ll be doing another read-through, slipping in whatever I may have missed.

At this rate, I expect to submit the revised draft by the end of the month. Let the nail-biting begin!

Blog

Happy New Year!

Technically, I’m seven days late. But I have a good excuse–I was on a cruise, practically without communication, for almost two weeks.

There were lots of firsts on this vacation, and I hope this continues well into 2013.

It was the first time we’ve ever been on a ship for that long. We cruise every year, but the longest we’ve sailed has been four days. Eleven was ambitious–and if I’m honest, a bit too long for me, though that could be because I got a nasty cold half-way in and my son got it two days before we came back. Perhaps if we hadn’t gotten sick we would’ve enjoyed it more. Staying inside a cabin while the weather outside is gorgeous is a bit of a buzz kill. But the other days were pretty awesome.

It was the first time we were on a ship for New Year’s Eve. And it was pretty cool. And lots of fun. Even my five-year-old had a blast!

It was also the first time we take our son on a trip for New Year’s Eve. Hubby and I spent our first NYE as husband and wife in Victoria, B.C. and it was amazing. Since then, though, we hadn’t made it to another trip around the holidays until now.

It was the first time visiting all the ports of call in the Southern Caribbean. Cartagena, Colombia. Oranjestad, Aruba. Willemstad, Curacao. Philipsburg, St. Maarten. St. Thomas, US Virgin Islands. I had to miss out on St. Maarten–and was ridiculously bummed about it. But the other cities/islands–wow. Hubby took some amazing pics, which I hope to share in future posts because the abundance of natural and majestic beauty was inspiring!

My absolute favorite, though, was Cartagena, and as mentioned above, it was my first time there. This is probably because A) it’s the setting for TTWC (my WIP) and B) I felt at home with the amarillo, azul y rojo and the sweet, musical Colombian accent. Beyond those two obvious points, the old city–la ciudad antigua–is breathtaking. You literally feel as if you’re stepping away from the present day and into colonial times. A multitude of bright colorful flowers contrast against the deep yellows of the buildings. Balconsitos, the typical colonial balconies which are the inspiration for countless Colombian artesanias, abound, and I could imagine my dad relishing on the intricacies of the detailed columns, the wooden beams, and the enredaderas that wrap around the structures. I hope to devote a separate post just for this beautiful city.

It was also the first time I wrote while on a ship. On sea days (with the exception of one when I was so out of it from cold meds that I couldn’t even think), I got clocked in some good writing hours, mostly done in the library with views of the ocean or in the observation deck with the same views. And while I didn’t finish like I’d hoped, I got a heck of a lot done.

We got back home yesterday, and the swaying of the ship’s still with me (as are the remnant of the darn cold). I’m ready to start a new semester and finally finish the revisions for SOUL MOUNTAIN. And when I’m done with that, I can’t wait to jump back into THROUGH THE WALLED CITY, especially after the inspiration from visiting Cartagena.

So I hope 2013 is full of many new journeys! (But first I hope to stop swaying!)

Happy new year to all of you, and may 2013 bring an abundance of inspiration!

Writing

Writing Reflections

Now that I have two projects on the table, one in final stages of an R&R and the other still in the drafting process (20K words in), I keep feeling that sense of wonder at the way the words come together to form these stories. It’s like a drug, an adrenaline high!

But what I find most fascinating lately is that no matter how different the stories and characters and feel of each individual project, I love each one just as much, even if differently. Does that make sense? I wonder if this is how parents with more than one kid feel. I can’t completely wrap my mind around it.

SOUL MOUNTAIN was my first love. I breathed and lived this story, these characters for about two years, from the moment I dreamt it to the moment a former instructor encouraged me to write Jimmy and Emily’s story. I have that email printed and posted where I can see it, for the days when self-doubt rears her ugly head. It took me a little over a year to decide this was something I wanted to do and once I did, I couldn’t stop. SOUL MOUNTAIN tested me. It’s a fantasy, so there’s world-building involved. Quite a bit, actually, and in doing so, I learned so much. But essentially, though there are scenes that take place in the real world, locations with which I’m familiar, a good chunk of it takes place in another level. The process of creating this other world (or rather, this other dimension of our world) was fascinating. It was dreaming put to the max: I am master of this universe and I create the rules. Pretty darn cool! And challenging. But nonetheless amazing. I started Soul Mountain with a feeling, a pair of characters, and a scene. The possibilities grew from there.

For THROUGH THE WALLED CITY, I wanted to turn to something that has always called my attention: magical realism. It was my focus for my MA thesis and I’ve long since admired the works of Gabriel Garcia Marquez, Isabel Allende, and Toni Morrison. So when I set out to brainstorm this story, I started with a setting (I wanted to tell a story in Cartagena, Colombia) and the desire to explore the magic of this city. Then came the main character, Micaela Uribe, who just sassed her way into the story. The rest started coming together as I researched the magnificent, and oftentimes turbulent history of Cartagena. And what a different experience writing it has been! Though there is some magic and I have to work out the myth that is accepted as real, TTWC is rooted in the here and now. And the best part hands down has been getting to write about that which makes me Colombian: the food, the people, the experiences. It’s like tapping into my memories, my experiences growing up while straddling both the Colombian and American realities while molding this story. It’s pretty awesome!

I can’t wait to see how the process evolves into the other stories I tackle. And I hope I never grow tired of it. Ever.

Because it’s pretty freakin’ awesome. 🙂

Writing

NaNoWriMo

So I bit the bullet and joined NaNoWriMo (National Novel Writing Month). Why? Because I have another novel to write. And because I want to complete the first draft by the end of this year. And because this seemed like an awesome opportunity and I’ve never done it.

I’m just a tad bit nervous. 😉

I’ll be working on THROUGH THE WALLED CITY, my new YA project set in Cartagena, Colombia. I am hoping to “win”–which apparently means to complete the 50,000 word challenge. So people, that’s my goal and I’m sticking to it. I hope! I will certainly try my best to meet it.

Are you participating in NaNo this year? Have you participated in the past? What was your experience? Would love to hear from you!

Writing

So you want to be a writer?

There’s a plethora of advice for writers out there. Just google “advice for writers” and you’ll find it. And there really are amazing bits of advice.

Well, here’s mine: become part of the writing community.

Yeah, we all know that if we want to be writers, we have to sit down and write the darn thing, whatever “it” may be. Our projects don’t write themselves. They take blood and sweat and tears and sleepless nights (and either lots of wine or lots of chocolate). It’s a process that’s beautiful and harrowing and magical and frustrating. Walls will be put up and doors will close to test us–how much do we want this thing? How much will we work at it? If we want something bad enough, nothing should stand in our way.

But here’s the thing. A writing community offers an amazing opportunity of support. A certain amount of cheerleading. It allows us to compare notes, to be with like-minded people who will totally understand our acronyms and crazed stories about how, in the middle of the night, we woke up with a dream that told us exactly what happens next in our WIP. We get it.

And now that the world is connected, literally, with the click of a button, it’s so much easier. But seriously, if you want to write, you need to sit your butt down and write, but you also need to go find other writers. How? Join organizations. Attend conferences. Take classes (online or in person). Join critique groups. Two of the best things I ever did when I began this journey was join SCBWI and take classes through UCLA Extension. Both have offered me an abundance of opportunities. I’ve learned craft and met some amazing writers, many of whom I still keep in contact. I met my critique partners through a Litreactor course and SCBWI conference.

Something else that, for me, has been such a wonderful experience–joining Twitter. The networking possibilities it offers are amazing, and I’ve been able to connect with other amazing writers and authors.

I have found that the writing community is a close-nit, supportive one, and if you want to write, join it!