Blog, Writing

If I’m a little quiet on here…

it’s because I’m working hard! 🙂

This is the last week of summer term, so final portfolios and research papers are coming in.

I’m also working on revisions for my novel. I’m counting my blessing for my wonderful beta readers and critique partners who are giving me some amazing feedback! My novel is printed, tabbed, and it’s starting to bleed purple (I refuse to revise OR grade in red ink…) I’m happy with where it’s going, and I’m marveling every moment in this process. I feel like a kid who’s discovering Disney World for the first time. Seriously! I’ve added the first chapter to the SOUL MOUNTAIN page above, or you can see it here.

Sprinkle in the things life throws in, just to make it interesting, as well as the class I’m taking at UCLA’s Writer’s Extension, a hiccup with health, and family life, and, well, you can deduce the rest.

But I’ll be back soon!

Writing

First Draft DONE!

Okay, so this is actually two-days-old-news: Tuesday I put that last period of my first draft. Total word count? 59,600. Twenty-four chapters. That’s after I cut out 3 chapters/8,000 words. A mixture of emotions flooded through me. I was excited at really being done (with the first draft anyway). I was surprised that I ended where I did (in my “outline” I ended somewhere else, but as I wrote this last chapter, it just clicked. THIS is where I had to end.) I was eager to start revising. I felt the immensity of the task of revision, but I’m ready to embrace it. Bring on the layers!

But first I had to grade some papers.

Yesterday I started with the first part of my revision process: reading the whole damn thing from start to finish, looking for things I missed, filling in scenes, changing my “usual suspects” of writing tics, working with word flow and language, adding in character and plot elements that I now know because of the ending, catching things I might have missed before . I’m three chapters in.

I’m not new to revision, but I am new to revising a work of this length. (Does revising my MA thesis count? I realize I have written a book-length manuscript before… but it was academic.) However, thanks to some amazing instructors and workshops (and thanks to some Tweets by authors on this process), I think I’m ready to go.

My game plan:

  1. Read through of entire MS from beginning to end, revising as I go.
  2. When that’s done, print the sucker out, with large margins, and have it spiral bound.
  3. Take out all my notes about revision and strategies and exercises to check the character and plot arcs.
  4. Read the MS again, looking at each chapter individually and as part of the whole, marking up the text.
  5. Incorporate changes into the document.
  6. Send out to beta readers and critique partners.
  7. Wait….and wait.
  8. Review feedback and make necessary changes.
  9. And then one last look from beginning to end. In between I’ll also be reading my chapters aloud at my critique group.

Does that sound like a good plan? I hope so! I’m curious to see how long this takes me. I don’t want to rush, but I’m determined to focus on this and finish before the new semester begins! My son’s in camp until the 10th. Summer classes end on the 5th. Fire is under my behind.

I. Will. Get. This. Done.

Anyone care to share your revision plans?

Writing

Biggest. Grammar. Pet. Peeve.

 

It’s like nails on a chalkboard for me. I’m not a grammar saint. I break the rules sometimes. But some rules are not meant to be broken. For example, “I” and “me.” “I” is a subject pronoun–it’s used in the subjects of sentences. “Me” is an object–it’s used as an object of a preposition or verb. Many people tend to think one should always use “I” because it’s “proper.” In fact, I’ve been told by my students, “So-and-so teacher told me to always use ‘I.'” HECK NO. These are not interchangeable!

Example:

My friend and I (NOT “me”) are excited about the SCBWI conference. “I” is part of the subject of this sentence.

The registration fee covers my friend and me. (NOT “I”) “Me” is the object of the verb “covers.”

If you’re not sure, remove the other people and read the sentence with just the “I” or “me” and see if it make sense. In the first sentence above, which makes more sense? “Me am excited” or “I am excited”? (you’ll obviously have to change the verb to agree in number). In the second, which works? “The fee covers me” or “The fee covers I”?  The answer in both cases is clear.

*I’ll step off my soap box now*

Writing

Write to the Finish Line

I’m on a writing marathon. My son’s in camp, so between 9:30 AM and 3:00 PM, I am writing (or grading… I do still have to do that until the first week of August). The great thing is that with those 5.5 hours, I am getting a TON of writing and revising done! I’m writing 3 days a week (grading the other two) for the full 5ish hours. I’m averaging 3K-5K words on those days, and that includes new material and revising old material.

Basically, I start in the previous chapter, revise, and move onto the next chapter. If it’s a blank chapter (which means I have a rough/sketch outline for it, but I haven’t actually written out the scenes yet), I sit and write it out from start to finish, then go back and re-read it, revising as I go. If it’s a chapter where I already have something written, full or not, I revise as I read through it. Five hours let me work on roughly 2-2.5 chapters per day.

I do this every time I sit down to write. (Check out my post on what I’ve learned about my writing process.)

Today, after I finished writing, I did a quick run down of what I have left: 4 chapters to write, 3 to revise. And then I’m officially done with the first draft. I’m at 58,436 words.

I want to jump up and down! I know I still have the BIG revisions left afterwards, but I’m ready and anxious to tackle them. I have my game plan in place, and I’m confident that, with my son in camp, I’ll be able to finish the revisions by the end of summer. THAT, my friends, is my goal. And as of now, I’m right on track. 🙂

I’ve added my pitch here on this blog, which you can find on the side bar, and soon, I’ll be adding the first few pages. I hope you enjoy it!

Blog, Writing

Five things I’ve learned about my writing process

1. I have writing tics. Many of them. But it’s okay to let them go in the first draft. They’ll be slaughtered in the final one (hopefully).

I never thought about them as writing tics, but that’s exactly what they are.

  • Exclamation marks. I love these, apparently, as I tend to over use them. My emails and tweets and, well, most correspondence tend to contain an overabundance of exclamation marks! Thankfully, they haven’t made their way into my MS, but in almost all else, I sound overly chipper!
  • Coordinating conjunctions. You know, FANBOYS (for, and, nor, but, or, yet, so). For me, though, it’s “and,” “so,” and “but.” And sometimes “yet.” I’m always using them. And I start sentences with them. A lot. These do make their way into my MS and I’ve learned to look for them when revising.
  • Semi-colons. I didn’t realize I had a “thing” for semi-colons until recently, when one of my classmates from the Writing and Selling the YA Novel pointed it out to me. She said it was residual from the academic in me, and it’s probably so. They just don’t belong in dialogue–I have no etched this on my brain so that as I work on my novel, I won’t do this.
  • And fragments (purely for emphasis, of course). I spend most of my days teaching how fragments are a BIG no-no. And they are. Most people who write fragments without knowing it are writing them incorrectly. Snippets of a wannabe sentence that don’t make sense. But there is such a thing as a fragment for emphasis. Usually in creative writing or journalistic writing. Not in academic writing.

I’ve also learned that sometimes, I use “filler” words like “just,” and “well,” and such. I’ve learned not to use them as much, but when I’m writing my first draft, I don’t worry about it (or any of my other tics). It’s my first draft. It’s meant to be crappy.

2. Outlines are my friend, but I’m not married to them.

Seriously. I love my outlines. They help me stay focused and give me a sense of where I’m going. But in fiction, my outlines are rough and they’re guides. I have written and rewritten these outlines as my story progresses because part of the beauty and magic of writing is the discovery that ensues. An outline shouldn’t take that away. It should just help

Perhaps it’s that I came to writing from the academic side. I couldn’t imagine having written my MA thesis without one. I would’ve gone nuts! When I started writing my memoir, I sketched out an outline of what I wanted to cover, seeing connections in that piece. And when I started writing this novel, I didn’t, initially. I went with what I had: a vision and I wrote that scene. And the next. But then I got to a point where I said, what next? How can I see where this is going? In one of Jessica Barksdale Inclan’s classed, she had us do a list of things that we thought had to happen in our story, in the order in which they happened. This was a sketch outline. That list grew and I had a vision of the entire piece. So my outline isn’t the traditional academic outline, but it’s still a sort of blue-print of my novel. And it changes as my story progresses because that’s what it’s supposed to do. If it didn’t change, then I’d be forcing my novel into something it’s not. And I don’t want to do that. I really view my characters and story as organic–a life of their own. I’m just witnessing it and writing it down.

3. Revision is much, much cooler than I previously gave it credit.

I recently tweeted this about revising:

What I love about revision is witnessing how each round molds the story, adding yet another layer that works toward making it whole.

And it’s so true. It’s like a painting. First, the artist sketches an outline in pencil. Then she begins to layer the background paints. Then the foreground. Then the small shadows and details. The end-product is a beautifully rich painting that took layer upon layer of paint and care and dedication. That’s what revision does: it adds layers. The first draft is the innermost layer, the rough sketch of what the work will look like. It’s rough and jagged and messy. Then you revise for plot and character and theme and unity and language. You take it section by section, layer by layer, until it’s whole.

4. I thrive in writing stretches of 4-5 hours.

I know we’re supposed to fit in writing when we can, even if it’s in short increments. Ten minutes here. Half-an-hour there. But see, it takes me a bit to warm up. I mean, it helps when I’m thinking constantly about my characters and where I left off. Of course it does. But even if I’m mentally there, getting the words to come out in a good manner takes me a bit. Then there’s the frustration of being in the middle of something great and having to stop. Once I get going, I get going, and I like being able to use my energy wisely. My best comes out in 4-5 hours, maybe even 2-3 hours. Anything less, and it’s worse than 1st draft crap. And anything more, I get bone-tired weary, my eyes blur, and my joints start screaming, especially my knees and my hands/wrists.

Of course, if I only have a few minutes, or half an hour, or even an hour, I take it and work with it the best way I can. Usually it’s making a rough sketch of a scene or chapter so that when I do get the nice stretch of time, I’ll have a game plan, helping me get into scene and character and story that much easier.

5. I can write anywhere, but my best writing is done either at Starbucks or in my home office. With music.

I’ve learned that I can, in fact, write almost anywhere. I lose myself in the story once I start writing, and the house can burn down and I wouldn’t even know it. I’ve burned many a toast by writing. But even then, I get interrupted and it’s another block to the flow. Like my preferred 4-5 hours, my preferred writing spaces are at Starbucks or in my home office. At Starbucks, I have my coffee (decaf caramel macchiato with extra foam– I have to do decaf for health reasons, though sometimes I cheat and get that extra umph), my laptop, and the baristas who I’ve known forever (or it seems that way since I’m always there!) At home, I have my orange (yes, orange….bright and alive) office, with cork-board tiles and a dry-erase board above my desk. I have my outlines, my character profiles, my notes, and inspirations there. I also have incense, which I use whenever I can.

In both cases, I write with music. Music and writing for me are linked. I have a playlist for this project and whenever I’m ready to write, I turn it on and it’s like I’m instantly in my story. It’s so much a part of this story. I chose songs that have the feel of what I’m trying to convey, so that means the songs in my playlist are there because of melody or lyrics. Or both. Some artists in my playlist are Adele, Gotye, Natalie Duque, Brandon Heath and Toby Mac.

Blog

My furbabies

These are my pups: Buffy and Baxter. They’re both mixed labs, and they were both rescue dogs. Buffy found my husband. We found Baxter. And we’ve been a family for a long time.

Buffy
Baxter

But my babies are getting old. Buffy’s about fourteen and Baxter’s about twelve. And this last year has seen an increase in vet activity. First, Baxter developed a mass over his shoulder that needed to be removed (but it wasn’t cancerous, thank God!) Then, both developed slight arthritis. Baxter lost a lot of weight, and Buffy gained it. Two weekends ago, Buffy stopped eating for a few days and wasn’t moving much. Her liver enzymes came back extraordinarily high, and the prognosis didn’t seem good. We got her to take her meds, and she started eating again, and little by little she’s been recovering, only she walks around with her head tilted and out of balance. She reminds me of a recovering stroke patient. Vet saw her and told us she had Idiopathic Vestibular Disease. Two days ago, Baxter started limping, his hind legs sprawling in opposite directions, and he refused to put pressure on one of his front paws. Severe arthritis, with his front paw swollen. He’s on medication now as well.

I just feel so bad for them. They poop and pee in the house, without even knowing they’re doing so. I know their time is limited, and while I’m okay with that because I understand it’s the circle of life–birth and death–I’m not okay with seeing them in pain.

We do what we can to make them comfortable and happy, for whatever time they have left. It might be months, maybe years. No one but the Man upstairs knows. I just hope the meds keep working so they don’t hurt.

Blog, Photography

Bill Baggs Lighthouse

After a great start to the day–wherein I awoke at 4:30 AM and couldn’t fall back asleep, and then proceeded to get up and write and got a little over 2,000 words done–we backed the beach bags and headed to Bill Baggs State Park, or, how we locals call it, El Farito (Spanish for The Lighthouse). Bill Baggs is located in the southernmost end of Key Biscayne, and it boasts a historic lighthouse, biking and hiking trails, snorkeling area, family-friendly beaches, and the Lighthouse Cafe.

Here are some pictures I took with my iPhone (two of which were edited using the Instagram app I downloaded today!) 🙂

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Blog, Writing

Friday Five

My writing Friday has returned, and to start it off, I thought I’d delve into a “Friday Five” kinda post.

1. My son graduated from preschool. And he’s now registered for KINDERGARTEN. Yes. I am warring with myself. On the one hand, I’m so excited for and proud of him. On the other, I want to throw myself down, pound my fists on the floor, and cry, “I don’t want him to grow up! I don’t wanna!!” But I won’t. Because I’m, you know, an adult. Now we have to work on getting his uniform, school supplies, AND we have to work on a summer reading project which is due by the third day of school. EEEK! Let the homework begin.

Of course, his being bigger now is causing me to seriously think about camp during the summer. At least for part of it. I have work to do–I’m still teaching, and I have to finish this draft…I’m THISCLOSE to finishing the first draft and I’m so ready to begin the serious revisions– and he’s got a ton of energy. I’ve been keeping him busy during the day with pockets of quiet time so I can get work done, but it’s been really hard getting that balance…it hasn’t been working too great.

2. The SCBWI Florida mid-year conference was AMAZING. Not only was it held in Disney’s Yacht Club (which was beautiful and a hop-and-a-skip away from Epcot!), but I also met so many fabulous people and the intensives and workshops were great.

I attended the Novel Intensives on Friday, with agent Josh Adams from Adams Literary, author Gaby Triana, and author Nancy Werlin. What I loved about this intensive, was that it focused on strategies that will help me now as I transition from first draft to serious revision. I have the skeleton down, but now comes the real work: reshaping, adding layers, removing fluff, and working on (fixing?) characters, pace, motives, tension, stakes, and language. I’m adding layers, people! Layers.

I recently tweeted this about revision: “What I love about revision is witnessing how each round molds the story, adding yet another layer that works toward making it whole.” I know my students come to revision with groans and excuses. They hate it (most of them, anyway). I think I used to as well. But there’s a moment of clarity that happens, when I watch what I’ve written be transformed into something so much more beautiful than when it started. A butterfly emerges from its cocoon. That’s what revision does to writing, and I’m loving witnessing this transformation. So yes, revision? Bring it on!

Gaby Triana and Nancy Werlin had great suggestions and exercises for working on plot and characters. I’ve already started implementing some of these, and they’re beyond useful. They also talked about time management, which, as you can see from my number 1 in this post, is tricky! Josh Adams gave us a wonderful view into the current YA market, which writers need to know! It’s daunting and harrowing thinking about the after. After the manuscript, now what? After I finish my story, how do I do this? After the story is finished… the query letter *shudder*–I think most newbies probably follow a similar thought pattern, and that’s why knowing the market is important! (I’m still working on my feelings toward the query letter…) It doesn’t mean going out and writing into a trend (no! Though if that’s the story you must tell, then tell it. Don’t force it into a trend); it means understanding the way it works. Writing is an art, but publication is a business; writers need to know this. All three also read great first lines from current and past books, and it reinforced the importance of a great first line/page.

Then came the first page critiques. These are done anonymously and are exactly what the name suggests: critiques by the panelists of the first page of your manuscript. I submitted mine and when they started picking them at random, holding my breath, vacillating between “please pick mine” and “no, don’t pick mine.” And then they picked mine. I swear I heard nothing by Nancy Werlin reading my first page, and it was scary and nerve-wracking and all I could do was wring my hands to keep them from shaking while I waited for her to finish and for the critiques to begin. But guess what, they loved it! I must’ve sat there with an idiot grin plastered on my cheeks from the feedback I received. It was such a confidence boost, such a shock of electric excitement. I think my favorite compliment was that it sounded “lyrical.” Granted, I know it’s only one page–one out of maybe two or three hundred– but it means that what I did with the first page, and probably chapter since those have been worked and reworked so many times I’ve lost count, works. And it means I can do it. So yeah, that was pretty cool.

On Saturday, I attended the YA track with Nancy Werlin and Noa Wheeler, editor at Henry Holt Books for Young Readers, an imprint of Macmillan. It was also a great workshop, with the focus on characters. Again, we got great exercises that I’m keeping handy now as I start transitioning from first draft to revision. Then, Sat afternoon, I had my first chapter critiqued, only…it wasn’t my first chapter anymore (though it was one character’s first chapter). Still, it was good because I saw some major flaws with that character’s chapter/motivation, so I know it’s something I have to work on. Donna Gephart was sweet and insightful and gave me some really good notes.

It was a great experience, and I’m so happy I was able to go. Another pretty freaking awesome thing happened, but I don’t know if I can say much about it, so for now, I’m keeping quiet. Suffice it to know that I was excited and terrified all rolled up into one sticky ball, but that which doesn’t scare, isn’t worth pursuing! Regardless of how it turns out, the fact that it happened had me grinning, again, like an idiot for a long, long while.

3. I went on vacation after the conference, but it was the most stressful vacation ever! Why? Because I had to close out session 2 (finish grading and entering final grades) and I had to prepare session 3 (for which I had to finish converting the course to the new learning management system). I wouldn’t have chosen to go on vacation this week, but since the conference was in Orlando, this was the most obvious choice. Still, it was nice going to the parks (sometimes), and working by the pool (much better than working in my desk). I wasn’t feeling great thanks to a small flare-up and difficulty sleeping, but I trudged through and made it. I think another mini-vacation is in order. This time, to the beach. And this time, not during such a critical time in the semester!

Of course, vacation on the beach will probably look something like this:

4. I started a 4-week class in LitReactor with Mandy Hubbard, YA author and agent with D4EO Literary, on writing and selling the YA novel. This class was perfect for the month gap I had between my Novel III and Novel IV classes, and I’m so happy I signed up.  It’s been awesome, and the community of writers in there is unbelievable. Some amazing talent! And Mandy Hubbard is funny and insightful and helpful! We get our first three chapters and a query letter critiqued during the class by both classmates and Mandy, and I’ve gotten a lot of great feedback. This is what I love about classes in workshop settings, like the UCLA classes. They are invaluable for growing as a writer. Critique groups, too. The only way to get better (other than learning about craft and revision and working hard, of course) is to put your writing out there. It’s scary, but it is SO SO SO beneficial. It also teaches how to take criticism. I don’t get defensive like I did when I first started sharing my work. I take it in, let it simmer, and often find truth, which then makes my writing that much better. My first page/chapter wouldn’t be such if I hadn’t listened to suggestions of my classes. In fact, it was a classmate in my UCLA class who suggested starting with my male character! So yes, I’m excited about this class.

5. I’m also excited about starting Lynn Hightower’s Novel Writing IV class at UCLA’s Writers Extension. I received the email that I was accepted into this advanced course in early June, and I registered immediately after! I’m nervous, too, and a little terrified as it’s going to push me more, which is a GREAT thing (even if my first reaction is to bury my head in the figurative sand)! Like I’ve said in the above points, what pushes me in my writing makes me better. So I’ll gulp down my fear and my self-doubt and do it!

“The worst enemy to creativity is self-doubt.”– Sylvia Plath

Happy Friday, everybody!

Blog

Veronica Rossi’s UNDER THE NEVER SKY

At the SCBWI FL Mid-year conference, I learned about Veronica Rossi’s debut novel, UNDER THE NEVER SKY. I watched the book trailer, and knew immediately I needed to get this book. Like, now. So I did what any other impatient reader would do: I bought the Kindle edition and, as soon as I could (this past Monday), I started reading it.

It did NOT disappoint! I fell in love with the characters–Aria and Perry are my new fave couple!– the world, and the story. It’s captivating, from start to end, and I couldn’t put it down. The only reason I stopped reading at 2 AM Tuesday morning was because my phone (w/Kindle) only had 2% battery left! I woke up at 7:30 the next morning and kept reading until I was done. It was that good.

This is the book description from Amazon:

“Since she’d been on the outside, she’d survived an Aether storm, she’d had a knife held to her throat, and she’d seen men murdered. This was worse.

Exiled from her home, the enclosed city of Reverie, Aria knows her chances of surviving in the outer wasteland—known as The Death Shop—are slim. If the cannibals don’t get her, the violent, electrified energy storms will. She’s been taught that the very air she breathes can kill her. Then Aria meets an Outsider named Perry. He’s wild—a savage—and her only hope of staying alive.

A hunter for his tribe in a merciless landscape, Perry views Aria as sheltered and fragile—everything he would expect from a Dweller. But he needs Aria’s help too; she alone holds the key to his redemption. Opposites in nearly every way, Aria and Perry must accept each other to survive. Their unlikely alliance forges a bond that will determine the fate of all who live under the never sky.

In her enthralling debut, Veronica Rossi sends readers on an unforgettable adventure set in a world brimming with harshness and beauty.”

Okay, so here’s what I loved.

The characters: They were real. I loved the dual POV as it allowed me to get into both Aria and Perry’s heads. And the love story…swoon!!! The entire time I kept rooting for them, and I still am! But it’s not just Aria and Perry. It’s the entire cast of characters.

The world: what an intriguing world it is, and I love that she gives us just what we need to know and doesn’t bog us down with explanations that slow the story down. There’s no need for it (and I’m taking notes for my own story!) She creates a futuristic/post-apocalyptic world that is not, in some ways, too unlike our current one.  And she describes it vividly.

The story: I care about a good story, with a plot and characters that pull me in and don’t let go of me until the end, and even then, I can’t stop thinking about them. So much so that I have to pick up the book and start reading it, again. THIS is what UNDER THE NEVER SKY does. It’s the story of two unlikely pairs who are thrust upon each other, much to their dismay. It’s the story of fighting to survive. It’s the story of love conquering obstacles. There’s action and suspense and love and betrayal and sacrifice. There are surprise twists that leave you gasping, wondering, how can that be? It’s fast-paced, but it slows down at just the right moments.

One of my favorite lines: “She absorbed the terror and beauty of him and his world. Of every moment over the past days. All of it, filling her up likes the first breath she’d ever taken. And never had she loved life more.”

So now I wait and twiddle my thumbs and peek at any updates about the next book, THROUGH THE EVER NIGHT. My 2013 reading list is growing!