Blog, Writing

Book Review: GILDED

GildedOne of the best things about summer vacation is that I get to read to my heart’s content. Stay up late? No problem. I can sleep in or nap the next day. All semester long, I accumulated this fabulous TBR pile that, because of work and revisions, I couldn’t get to, but oh how I wanted to.

I broke my reading fast with GILDED by Christina Farley. I met Christina at the 2013 SCBWI Florida Mid-Year Workshops. Actually, it was during the Elixir Mixer, where my friend Larissa introduced us. We got to talking about multicultural books and myths and the richness of other cultures when she told me about her debut novel, GILDED, a YA contemporary fantasy which features Korean mythology. She gave me her card, and I immediately started following her on Twitter. When her book released on March 1, I cursed I couldn’t read it immediately. When I finally did in early May, though, I was not disappointed!

Here’s the blurb:

Sixteen-year-old JaeHwa Lee is a Korean-American girl with a black belt, a deadly proclivity with steel-tipped arrows, and a chip on her shoulder the size of Korea itself. When her widowed dad uproots her to Seoul from her home in L.A., Jae thinks her biggest challenges will be fitting into a new school and dealing with her dismissive Korean grandfather. Then she discovers that a Koreandemi-god,Haemosu, has been stealing the soul of the oldest daughter of each generation in her family for centuries. And she’s next. But that’s not Jae’s only problem.There’s also Marc. Irresistible and charming, Marc threatens to break the barriers around Jae’s heart. As the two grow closer, Jae must decide if she can trust him. But Marc has a secret of his own—one that could help Jae overturn the curse on her family for good. It turns out that Jae’s been wrong about a lot of things: her grandfather is her greatest ally, even the tough girl can fall in love, and Korea might just be the home she’s always been looking for.
***
What I liked best of this novel is how Christina seamlessly weaves South Korean mythology with a fast-paced plot filled with tons of action. I couldn’t stop turning the pages and read the book in practically one sitting. We get some wonderful city views of South Korea and feel the energy of the setting. Just as impressive is the world of the demi-gods. As far as characters, Jae Hwa Lee is a strong, likable protagonist who finds herself face-to-face with the things legends are made of–and she kicks demi-god booty in the process.I can’t wait for SILVERN, the sequel to GILDED, which will pick up where GILDED left off in a brand new adventure. It’s set to release September 23, 2014!

Blog, Writing

Breaking My Hiatus

I’m baaaaaack.

The semester is over. Revisions are done. And I’m officially on summer vacation.

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It might take me a little bit to unwind because, let’s face it. There’s so much truth to this picture:

Owl Teachers

The end of the semester came with its usual flare-up–though it was a bit harsher than the last one–so I’ve been focusing on healing, resting, and getting better. It was bitter, coming on the heels of a great month and a half (Jan-Feb) where I thought for sure I was in remission. I suppose it’s always harder that way, isn’t it? When you’ve had a taste of “normal” only to then be whacked by the pain and exhaustion. But onward. The rest is helping and I’m feeling better, limping less, sleeping more. And writing more, which absolutely, positively helps me improve. Thank God for this blessing!

I’m looking forward to being back, to resuming my Motivational Monday series and bringing in some new projects here on the blog.

Happy writing, everyone!

 

Blog, Writing

Gaby Triana’s New Book!

I’m so excited for Gaby Triana‘s new book SUMMER OF YESTERDAY, coming out this June 17. And I’m not only saying that because she’s my critique partner and agency sister. She’s a fabulous writer! If you haven’t checked out her other books, well you totally should. And you don’t want to miss her new one, which will make an excellent summer read!

Book Description from Amazon:

Back to the Future meets Fast Times at Ridgemont High when Haley’s summer vacation takes a turn for the retro in this totally rad romantic fantasy.

Summer officially sucks. Thanks to a stupid seizure she had a few months earlier, Haley’s stuck going on vacation with her dad and his new family to Disney’s Fort Wilderness instead of enjoying the last session of summer camp back home with her friends. Fort Wilderness holds lots of childhood memories for her father, but surely nothing for Haley. But then a new seizure triggers something she’s never before experienced—time travel—and she ends up in River Country, the campground’s long-abandoned water park, during its heyday.

The year? 1982.

And there—with its amusing fashion, “oldies” music, and primitive technology—she runs into familiar faces: teenage Dad and Mom before they’d even met. Somehow, Haley must find her way back to the twenty-first century before her present-day parents anguish over her disappearance, a difficult feat now that she’s met Jason, one of the park’s summer residents and employees, who takes the strangely dressed stowaway under his wing.

Seizures aside, Haley’s used to controlling her life, and she has no idea how to deal with this dilemma. How can she be falling for a boy whose future she can’t share?

And here’s the book trailer:

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Blog, Writing

Motivational Monday

Because I’m in the middle of a draft, and because I keep teetering between revising the beginning and continuing to write, today’s theme seems to be: keep writing until you reach the end. In that first draft, don’t worry about the audience and don’t be afraid of writing crap, just immerse yourself in the story and “tell the hell out of it” (Chris Crutcher @ SCBWI Miami 2014). You can worry about all else in revision.

First Drafts

Just finish

Quantity leads to quality

Write the good and ugly

Happy writing!

 

Blog, Writing

In the belly of the contest trenches

I’ve been seeing the announcements in Twitter for upcoming pitch contests. These can be rewarding opportunities for writers, and if you have a finished, polished manuscript, I’d say, give them a try!

Late 2013,  I decided to give pitch contests a try. The previous year I’d attempted one with my first manuscript, without any luck. And there’s a reason that happened. It had major flaws and though I love the story and will return to it, I wasn’t ready for it (and it wasn’t ready for prime time). My new manuscript, however, was stronger, the concept more unique. So I  dove head-first into the experience, deciding to see where these contests took me. Let me tell you, it gave me some of the most rewarding experiences I’ve had in this crazy journey.

I started with PitchMadness, coordinated by Brenda Drake, and was thrilled with beginner’s luck. I made it through to the agent’s round, where a bidding war took place and I had two full and one partial request. I might’ve squeed a little (okay, a lot).

Then came Halloween and with it, two really awesome pitch contests. Still reeling from the adrenaline rush of PitchMadness, I submitted to Trick or Treat with Agents (coordinated by Brenda Drake, Kimberly P. Chase, and Dannie Morin) and Nightmare on Query Street (coordinated by Michelle Hauck, Mike Anthony, and SC.) Unfortunately, this time, I didn’t get in, but I watched from the side lines, cheering those who were in and who received agent interest.

I considered taking a break from contests. NaNo was approaching and I wanted to devote time to this shiny new idea that was brewing. But then I saw that the 2013 Baker’s Dozen Pitch Contest (hosted by Authoress Anon) was approaching and with it a cool opportunity for feedback on the pitch and first 250 words along with the agent round. So I entered and made it to the final round again. Let me say that I received valuable feedback here, not just by readers/other contest entrants, but by editors working with the contest.

Then came PitchWars, which really felt like a long shot. For one, it was like querying. We had to apply to mentors using the tried and true query and sample pages method, and I was worried about my query letter. Two, each mentor (agented and/or published author) could only pick one mentee and two alternates, and there were TONS of writers who entered. The chances were slim. I researched my picks, asked questions, bonded with other hopefuls, and when the submission period came, I sent mine in and prayed. And waited. And I was thrilled when the results were in and I found out that Dannie Morin had chosen me as her first alternate.  This contest was different because it wasn’t simply getting your work out there for agents to see. It’s part of it. But the best part–the most important one–is that you get to work with a mentor for 3-4 weeks. They read your manuscript, give you valuable feedback and encouragement. They help you whip up your query into tip top shape. They answer all questions related to the business. And they cheer you on. Dannie was especially awesome, and I will always say that she’s a serious kick-butt editor. Her feedback and comments helped me revise my ms further. It turns out, I had to pull out my entry from the agent round for a fantastic reason: I received an offer of representation. But I’m positive that my work wouldn’t have been as polished as it was had Dannie not chosen me as her alternate.

So here’s a quick list of why I think pitch contests are great opportunities:

  1. They’re a lesson in patience, as is much of the querying process. Not only do you have to wait until the submissions windows open, but then you have to wait to find out if you got in, and then you have to wait for the agent rounds to see if your entry had any bites. The whole experience is nerve-wracking and nail-biting, but it’s fun if you let yourself have fun with it. It also helps you work on your patience during the querying process.
  2. They’re a great avenue for networking. Think about it: during the entire process, from announcement until agent round, everyone in the contest is Tweeting about it. You get to meet agented and published authors, as well as other writers who are navigating the same trenches as you. I’ve made some wonderful friends this way, and I don’t know if I would’ve met them otherwise.
  3. You might just find awesome beta readers and critique partners through them.
  4. They allow you to hone your pitches and/or first pages. Many have critique opportunities that allow you to get feedback on your pitches and trust me, this is fabulous. Being able to concisely articulate the premise of your story in 1-2 sentences is an art. All the contests (and subsequent Twitter pitch parties) helped me craft a pitch that I was able to use at conferences or whenever someone asked me: What’s your book about?
  5. They get your work, and your name, out there. At a recent conference, I approached an editor after a workshop, and she knew who I was because of Baker’s Dozen pitch contest. It doesn’t always happen, but it can.
  6. They give you practice: in revision, in pitching, in networking, in craft, in the business. You learn not just from the feedback you get, but by reading other pitches/first pages and by seeing what agents are responding to.
  7. They introduce you to agents you might not have initially known and who you could add to your “to query” list.
  8. And sometimes, you might get a chance to catch the eye of an agent who is closed to queries, but who through the contest is making requests!

Yes, you might not always make it into the contests. Yes, the competition is fierce (as it is in the real world). Yes, you might not get any requests (this happened to me, too). But those aren’t the only benefits. Try them out. A new Pitch Madness is coming up this month (very soon, too).

Happy writing!